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Pianoteq 5 k2
Pianoteq 5 k2






  • Microphones can be linked together, and then moved or rotated together.
  • Many microphone models, with various directivity patterns, are available.
  • Directional microphones support, which can be rotated in all directions.
  • pianoteq 5 k2

    #Pianoteq 5 k2 free#

  • The free KIVIR instruments are currently being upgraded and will be available soon.
  • Nine new instruments: Grand K2 and the Kremsegg Collection.
  • Supersostenu was missing from the list of MIDI-assignable parameters.
  • bugfix for Velocity curve to allow silent notes.
  • Metronome bugfixes (1/1 time signature begin silent, accent on first not being recalled).
  • Bugfix for AU plugin not being recognized by a few hosts (STAGE version only).
  • Small updates to D4, K2 (lowered a few longitudinal modes) and Bluethner (voicing).
  • Extended keyboard range switch available in the interface.
  • Enhanced Binaural model for all instruments.
  • Advanced parameters for tuning, voicing and soundboard adjustment.
  • Sounds and behaves just like a real piano.
  • Responds in real time to pianist's interpretation.
  • System friendly: Pianoteq adapts dynamically its CPU consumption to the resources available on your computer.
  • New possibilities: The unique adjustable parameters result in great realism and even allow going beyond the material constraints of an acoustic piano, thus being able to create new instruments and sounds.
  • Simulating acoustic pianos: Everything that characterizes an acoustic piano is there: the mechanic noises (optional), the complexity of pedals and strings in interaction, the percussion impact on staccato play, and the beauty of the piano sound.
  • It was followed in the 20 century by the second generation electro-acoustic pianos and the third generation sampled pianos where each note is a recording of how it sounded during a specific moment in time, not taking into account the complexity of the instrument.Īccording to Modartt, Pianoteq is the first and only piano belonging to the fourth generation, developed in order to go beyond the limitations of the third generation and to become a versatile and innovating tool. The first generation of pianos began with Cristofori's pianoforte in 1698 which came to maturity at the end of the 19 century with the acoustic grand pianos. It is responding to how the pianist is striking each key and how strings are interacting, just like a real piano does, resulting in an expressive and vivid instrument. The Pianoteq Ruckers II harpsichord is a superb virtual instrument with authentic sound and response, and it is a joy to play.Being a truly modelled piano, the sound is created in real time from scratch through a sophisticated mathematical model, simulating an acoustic piano.

    pianoteq 5 k2

    Besides a sustain pedal and a soft pedal, there is also a buff stop pedal and a bassoon pedal which allow to adjust the contact with the strings in order to bring a muted sound or rattling noise. This virtual instrument offers an extension of the original instrument, from 41⁄2 to 61⁄2 octaves, and is equipped with the three registers - lower 8', upper 8', and 4', which can be combined in ways not even possible in the real world. The instrument maker, also known by the name Joannes Ruckers, was one of two sons of Hans Ruckers who continued in the family craft.

    pianoteq 5 k2

    The physical model is based on a copy by Matthias Griewisch of a Hans Ruckers II le Jeune (1624). Comparable with what the Stradivarius is for the violin family, the name of Ruckers has a similar quality aspect for the harpsichords. Harpsichords by the Ruckers family are praised for their superb tone, thanks to the instrument maker's understanding of the harmonic aspects.






    Pianoteq 5 k2